Very nice thinking to check against the contents W, i.e the letters.
I have more I can look at regarding these and will but just a word of caution first.
When it comes to things like pressure or pen weight or type of pen etc you can't make that comparison accurately. Now I'm not talking about looking at something on screen vs having the thing in your hand, we are all subject to that constraint unless someone here owns an original Zodiac letter. I'm talking about what we do have to work with, but more importantly the technical provenance of these items.
In this instance we have a little assistance in that there are 3 sources - The SF Chronicle, The Vallejo Times-Herald and The SF Examiner. The assistance is that two of these, or at least part of two of these (letters) are of sufficient quality to suggest that, in the commission of these 3 letters and their envelopes, at least two different pens were possibly used. I would even go as far as to change the possibly to probably and even throw in a devil-may-care, in all likelihood.
Why so cautious?
Well quite simply it's experience. I've copied more things in more different ways and combinations of those ways in 20+ years as a designer than I care to remember. I've seen how and in what specific ways the quality of certain mechanisms vary in the same time period and over time, even short periods of time like a week or even a day. How the quality of the material onto which you are copying onto and from can affect distortions you wouldn't expect. From photographs to PMT's (photo mechanical transfers, re-pro camera) to faxes to copiers to scanners. The degrees of variation within these methods alone are many nevermind when you start combining them and I have.
This is what I mean when I say 'technical provenance'. Even in this wonderful digital age there are and have been changes affected to what we have ultimately ended up with in front of us on our screens.
Here's a little example.
Which one is the heavier pen?


